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In some of Dunham’s choreographies, the intention of narrating the African diaspora through the appropriation of Caribbean movement and by storytelling corresponds with Paul Gilroy’s posterior analysis of “the Black Atlantic” as a “non-traditional tradition, an irreducibly modern, ex-centric, unstable, and asymmetrical cultural ensemble” (Gilroy 198). In this respect, Dunhams’ kinesthetic memory creates innovation and change for the dance world by recreating Caribbean history, transforming...