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It was terrifying and dramatic — I felt the orphans’ fear, held my breath as I read about the ravening wolves throwing themselves at train windows, and truly grieved when the evil governess Miss Slighcarp seemed poised to triumph. As an adult, I can see that the book is knowingly florid, skillfully incorporating all the conventions of the genre to exaggerated effect — the Edward Gorey cover is a perfect match for the text, equal parts homage and riff.