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What started as an arch parody, Lizza Aiken writes, was put aside when her father died and her mother had to support the young family and send her children away. “She had certainly reveled in the melodramas she had read as a child, but now that she had experienced tragedy and poverty herself, she could write about them with authority.” Another contemporary review, I do agree with: As Time put it, this book is “a small masterpiece.”