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Shakespeare’s Shylock moves us because he’s a decent man who’s cheated and abused by Christian commercial society, and that idyllic ending looks like an attempt to put a sticking plaster on an open wound. But Barrabas in Marlowe’s Jew of Malta ? Oy veh, such a villain. Marlowe takes the anti-Semitic stereotypes and libels of his time, makes a character out of them, and then inhabits that character with glee and empathy.